![]() ![]() Twin Peaks: the return (David Lynch, Mark Frost, USA, 2017) Las imágenes, las imágenes, las imágenes (Edward de Ybarra, Perú, 2017)Īrábia (Affonso Uchoa y João Dumans, Brazil, 2017) La telenovela errante (Raúl Ruiz, Chile, 2017)Įl mar nos mira de lejos (Manuel Muñoz Rivas, Spain, 2017) The lost city of Z (Jams Gray, USA, 2016) Golden Exits de (Alex Ross Perry, USA, 2017) La vendedora de fósforos (Alejo Moguillansky) The Artificial Humors (Gabriel Abrantes, 2016, Portugal, Brazil) Western (Valeska Grisebach, Germany, 2017) On the Beach at Night Alone (Hong Sang-soo, South Korea, 2017) La tierra aún se mueve (Pablo Chavarría, México, 2017)īlade Runner 2049 (Denis Villeneuve, USA, 2017) Um Campo de Aviacao (Joana Pimenta, Portugal, 2017)Ī fabrica de nada (Pedro Pinho, Portugal, 2017) La Flor (primera parte) (Mariano Llinás, Argentina, 2016)īrawl in Cell Block 99 (S. The Other Side of Hope (Aki Kaurismaki, Finland, 2017) L’amant d’un jour (Philippe Garrel, Francia, 2017) Scaffold (Kazik Radwanski , Canada, 2017) The Day After (Hong Sang-soo, South Korea, 2017) Jeannette, l’enfance de Jeanne d’Arc (Bruno Dumont, 2017)ĭid you wonder who fired the gun? (Travis Wilkerson, USA, 2017) Sobresalientes (sin algún orden en particular) Nocturama (Bertrand Bonello, France, 2016)īonus retro: On the silver globe (1988) de Andrzej Zulawski (restaurada – Berlinale) y L’Atalante (1934) de Jean Vigo (restaurada – Cannes Classics) Tres extraordinarias de 2016 vistas en 2017Įl auge del humano (Eduardo Williams, Argentina, 2016)ĭawson City, Frozen Time (Bill Morrison, USA, 2016) Three extraordinary films of 2016 seen in 2017 ![]()
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